“The TRIO with BASSHORNs is a very special super speaker that delivers the superiority of a high sensitivity horn speaker system to the audience. Avantgarde took a minimalistic approach to design this speaker. They put all conventional horn designs back on the drawing board and started to redesign it all over again, taking a simple and logical approach. The presentation is up-front, delicate, yet powerful. This speaker is highly sensitive and has an exceptionally wide range.” (STEREO SOUND, Issue #149, editoral staff, JAPAN)
» Membaca UP-FRONT, DELICATE, YET POWERFUL
“An unbelievable high end sensation. The TRIO with BASSHORN plays extremely civilized and extremely unlimited. No colorations, beautiful separation of the chorus – fantastic. The drums can best be described as controlled explosions. The air is erupted out of the nowhere, so clueless and so seaming less. The music stands like a big wall in front of us: stable and incredible transparent in all its musical details. What an experience! Absolutely fabulous. “ (STEREO, M. Boede, GERMANY)
“Leisure of it all. Rest assured, these are surely one of the best speakers in the world that´s worth every penny spent. True to its brand name Avantgarde Acoustic are products of intelligentsia at its best. Not only do they look radical, they are majestic to the truest sense. In the Avantgarde speakers, the fortissimo of instruments, the lucidity in vocals and every minute detail filled up the small room with superior quality of music. Simply spell bounding staff!” (LIVING DIGITAL, B. Kutty, INDIA)
“Be overwhelmed by an unexpected favor to your eyes and to your ears. With the TRIO system Avantgarde Acoustic has repositioned the horn technology. It is not old-fashioned product anymore. Instead, it is a masterpiece which could show your grandeur.” (HI-FI AND HI-VI MONTHLY, Jerry Pu, TAIWAN)
“Fresh, raw sound by the unique TRIO spherical horn system with its SUB231 subwoofer. Sometimes this speaker takes my breath away with its sound. I can feel the charm like no other speaker has. And I can feel its huge possibility. The sound has a strong impact. The sound ‘flies’ to the audience with openness.” (STEREO SOUND, Issue #150, editoral staff, JAPAN)